Vox’s cultural obsessions of 2024.
The age-old Japanese tradition of hanami has become a harbinger of change.
It’s a great time to be at the movies.
Solitude and wisdom at the movies.
Martin Scorsese knows that who gets to tell the story matters as much as the story that gets told.
Wes Anderson’s new Netflix shorts are the latest case for the form.
From shipwrecks to hijackings to sex comedies, these are the best books of the first half of 2023.
The Duggars, Bill Gothard, and me.
Netflix and A24’s Beef is astounding, anti-ambient TV.
Kelly Reichardt’s latest film turns the frustration of mundane distractions thwarting art into gentle comedy.
The best nonfiction of the spring festival circuit is on the way.
Satisfyingly cerebral, Hidden Blade features a masterful Tony Leung and a breakout performance from Wang Yibo.
Return to Seoul is an exquisite meditation on finding yourself between worlds.
From the sinister to the exuberant, the films you don’t want to miss.
Two blistering, beautiful new docs show the brutality of repressing our collective memories.
Movie theaters are the most fun place to watch a comedy. What if that goes away?
The movie “Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles” was recently declared No. 1 in the prestigious Sight and Sound poll. Go in as cold as possible.
A look at this year’s best in fiction, nonfiction, poetry, translated literature, and young people’s literature.
The plot is based on a horrifying true story from 2011, but the resistance philosophy goes back to St. Augustine.
In The Year of Miracles, Ella Risbridger cooks through the end of the world.
Carly Pearce’s 29: Written in Stone turns a tumultuous year of her life into a near-perfect divorce album.
Loneliness, longing, and love in the third pandemic summer.
Director Sara Dosa explains why it’s a love triangle and a guide to life, all in one.
The latest season of Borgen is a political thriller for the Great Resignation.
From great blockbusters to a mockumentary about a talking inch-high shell.
In Chungking Express and Rebels of the Neon God, the vibes are melancholy but incredibly aesthetic.
Our pick for November 2021 is Such a Fun Age by Kiley Reid.
A gothic album, soaring with gorgeous darkness.
Netflix’s The Parisian Agency is a luxury real estate show featuring a family that actually gets along.
Help, I can’t stop rewatching this 11-year-old corporate thriller nobody saw in theaters.
Why the Irish legend of the selkie endures in cinematic form.
The films that scandalized and enchanted audiences at the world’s most prestigious film festival — and how to watch them soon.
“Bright Star” manages to bottle the fleeting feeling of spring bliss.
The 2004 film, directed by Alice Wu, attempts to give equal weight to the foibles and fantasies of an Asian mother and daughter.
Bluey opened up my imagination and made the most boring part of parenting fun.
The late-’90s cooking show was a revolution before we knew much about body positivity.
The pandemic took away my weak ties. I’m so glad they’re back.
Juliet and her Romeo are dead, but Romeo and Juliet lives forever.
Why sewer systems are the key to understanding Les Mis.
The fiery vegetable I almost forgot.
Most Popular
- The real reason Trump is destroying the economy
- Why are car headlights so blindingly bright now?
- This little-known company is a major funder of right-wing politics. You’ve probably eaten their chicken.
- Could an inexpensive vaccine help stave off dementia?
- What this disastrous week taught us about the Trump presidency